The Weganda Review’s eleventh issue (January – March 2026) has been published in print and online, with essays and other writings on the futile search for nationalism in Somalia, the legacy in Uganda of the British art teacher Margaret Trowell, anxiety in the digital age, Ousmane Sembène vision of danger, and life in jail. The issue includes the diary of a college student in Kampala. Featured poetry is by Ber Anena, Olajide Salawu, and Zama Madinana. Art portfolios belong to Geoffrey Mukasa (1954-2009) and Victoria Nabulime. The Quote of the Quarter is extracted from Darkness at Noon, a novel by Arthur Koestler. This is not a themed issue, but it is punctuated by the universal feeling of existential solitude. 

Diary of the Review

Art of the Review

Poetry of the Review

Weganda Précis: From the Archives

Familiaris

“I think of dogs, especially those dogs the woman sat watching, when I think of the universal meaning of tenderness, and not in the other way. The copulatory tie that happens when mating dogs are stuck together is necessary for the semen to be deposited into the reproductive tract. The male dog, to preserve his back, must be allowed to dismount and turn 180 degrees so that, at long last, he stands in a position of comfort until coitus is naturally completed. No one teaches dogs what to do, so they must intuit their business while the rest of us are told what to do, but at the same time they didn’t invent their elaborate sex routine. I think of it, rather seriously, as God’s tenderness: there can be no life among canines without the bulbous tie, but let’s find a way to make it easy for the males.”

Two Poems

Missionary Art

Inside out

Studying